Thursday, October 16, 2014

A Lesson in Y'all by Joan Reeves

In my most recent Romantic Comedy, April Fool Bride, the heroine is an oil heiress from Texas. She says y'all. All the way back to my first published novel, Summer's Fortune (to be re-published in 2015), the heroine, also from Texas, said y'all.

In writing that first book, I was immediately confronted with the y'all versus you issue.

Since I'm a daughter of the South, the use of y'all for second person plural is instinctive, but, I wondered, was it smart to write the way just about everyone in the South and Texas speaks? Or should I use the grammatically correct second person singular and plural you?

Character Background Rules

With my books set in the South and peopled by southerners, I made a considered decision to use y'all (a contraction of you + all) in dialogue but switch to you in exposition and narrative. I must have made the right choice because I've never had a complaint from readers about using y'all.

Y'all Speak Correctly Please

If Southern and/or Texan isn't your first language, I admonish you to use y'all correctly. Y'all is second person plural and should never be used to speaking to one person. One never says, "Mary, y'all pour the sweet tea please."

Bless your heart, but that is so wrong! Everyone in the South knows that you is the correct second person singular pronoun, as in, "Mary, you pour the sweet tea."

Defective Language

Our language, bless its heart, is defective. People in different parts of the country resort to various second person plural forms in an effort to repair our defective form of English. As humorist Dave Barry often said, "I'm not making this up."

I saved an article several years ago from the San Antonio Express-News. Written by Sara Ines Calderon, the article was about Guy Bailey, Professor of English Linguistics who specialized in American English language variations. (We’ve got a lot of those variations in Texas so Bailey probably had a lot to study.) Professor Bailey said that Texas-style American English—my phrasing, not his—is influenced by the American South, Mexico, and Czech and German immigrants.

In the Past

Like other European languages, English once had two second-person pronouns. One was singular. One was plural. (That would be you and y'all in the southern region.)

Before the 17th century in England, for second person singular, they used: thee, thou, and thy. Will thee dine? Thou go. Is this thy house? If thou, I mean, you, talk to one person, those are the second-person singular pronouns thou would use.

For second-person plural pronouns, they used: ye and you. Can ye sing together? You sing beautifully. Ye and you—second-person plural and also the formal way to address someone.

Social Change

When commoners gained more power in the 1600's—think Cromwell and death to the royals— that second person singular of thee, thou, and thy began to fade away. People gained equality, more or less, so there was less emphasis on social superiority thus people no longer addressed those once considered their superiors with thee and thou.

But without the singular and plural versions of that second person pronoun, English ended up with a defective pronoun system. In other words, it ended up using one word—you—for both singular and plural. Ever since, those who speak English instinctively look for a way to repair that defect.

Regional Differences

Up north, the repair is normally you guys though I had friends who hailed from Ohio who said youins. In western Pennsylvania and into the Appalachians, many people said yinz.

In the South, of course, our repair was y’all. I think it makes sense because it’s a short form for you all, meaning everyone in a group, whereas we say you if we’re talking to just one person. Now that’s clear isn’t it?

Everyone understands the word y'all, and it perfectly fills that gap in our language. In fact, I think some Congressman somewhere ought to author a bill to have y’all adopted as the second person plural and put it back into our language.

What do y'all think?

Takeaway Truth

When you read one of my books, know that the dialogue is true to the southern or Texan character. After all, the first rule of writing is to write what you know, and I know the dialect of the South.

(Joan Reeves writes Sassy Contemporary Romance. Her books are available at all major ebook sellers with audio editions available at Amazon, Audible, and iTunes. Joan publishes Writing Hacks, a free newsletter for writers, and WordPlay, her free email list/newsletter for readers. Find Joan online: Blog, Website, Facebook, Twitter, YouTube. Joan lives her happily ever after with her hero, and she encourages you to believe that: It’s never too late to live happily ever after!)

Sunday, October 12, 2014

BSP

We're (my husband and I) in the middle of building a house and I forgot I was up today and there is more roofing to put on. So... You are getting a Blatant Self-Promotion blog.

Where the house is at the moment.

Releasing November 1st I'll be in a Christmas Anthology with other authors of Windtree press.

The Gift of Christmas 

An Anthology of Christmas stories  by a dozen authors from the Windtree Press.

A former Marine, desperate for employment, takes a temp job that leads to a life-changing decision on Christmas Eve. A family locket with magical powers saves the life of its wearer during the holidays. A doctor’s nonfiction reflection of her father’s cancer diagnosis reveals the spirit of Christmas.

Add in a little dog’s snowy adventure, magic realism, and a touch of mistletoe, and readers will delight in these 12 diverse and heartfelt stories exploring the love, messiness and miracles of Christmas.

“Metro’s Mountain Cabin” by Susie Slanina
“The Cancer Christmas” by Melissa Yuan
“Christmas Miracles” by Pamela Cowan
“The Nest” by Courtney Pierce
“Isabella’s Christmas Box” by Paty Jager
“The Mermaids Treasure” by Anna Brentwood
“Don’t Forget the Mistletoe” by Christy Carlyle
“First Love” by Judith Ashley
“Christmas with You” by Jane Killick
“Career Conundrum Christmas” by Jamie Brazil
“The Hogmanay Stranger” by Maggie Jaimeson
“A Marine’s Christmas Proposal” by Susan Lute

Here is the direct link on the Windtree Press book page: http://windtreepress.com/portfolio/gift-christmas/

Friday, October 10, 2014

THE SONS OF TEXAS TRILOGY

by Caroline Clemmons
for Kathy Shaw

Anna Jeffrey is a member of this blog and a friend. She is never one to toot her own horn, so you may not know what a tremendous author she is.

If you read the first of Anna Jeffrey’s Sons of Texas Trilogy, THE TYCOON, then no doubt you joined me in eagerly waiting for THE CATTLEMAN. Anna did not disappoint readers with this book.



Unlike his older brother Drake, Pic Lockhart is a rancher. After a failed early marriage that cost his family big bucks, Pic is hesitant to marry again. Not that he’s unable to commit. He and Amanda Breckinridge love one another and are a long-standing item. But only in the privacy of her home or an evening drive to another town.

Amanda is the award-winning swimming coach and English teacher whose private life is overlooked by the school board, probably because the Lockhart family makes large contributions to the school and community. Although she longs for more than their current situation allows, she hesitates to press Pic for fear of losing him. But he’s more likely to lose her.

In the first book, we learned of the senior Lockhats’ tumultuous marriage and separation. That situation continues, but Pic’s mom occasionally visits the Double-Barrel Ranch to interfere in the lives of her children and the cheating ex-husband who still loves her. Mama can’t stand the fact that Pic is seeing “a nobody” of whom she disapproves and arranges for him to meet the daughter of a friend. Zochi, that friend’s sexy daughter, tests Pic’s self-control.

In the meantime more mischief is being orchestrated against the Lockharts on several levels. Although readers won’t learn who is behind the problems (I have my suspicions) until the next book, THE CATTLEMAN ends with Pic’s life firmly set to rights in a way that satisfied this reader.  Now I can hardly wait to read the third book when it’s released.



I give this book 5 out of 5 stars. If you enjoy Linda Lael Miller and Joan Johnston, you’re sure to enjoy THE TYCOON and THE CATTLEMAN.

THE TYCOON Amazon link:  http://amzn.com/B00AQS1GWC

THE CATTLEMAN Amazon buy link: http://amzn.com/B00N24Z2R2

About the Author

Anna Jeffrey, Author

Anna Jeffrey is an award-winning author of romance novels as well as romantic comedy/mystery. She has written 9 romance novels and co-authored 7 as USA Today Bestselling author, Dixie Cash. 

Her Anna Jeffrey’s books have won the Write Touch Readers’ Award, the Aspen Gold, and the More Than Magic awards. Her books have been finalists in the Colorado Romance Writers award, the Golden Quill and Southern Magic as well as the Write Touch Readers’ Award, the Aspen Gold and the More than Magic awards. She is a member of Romance Writers of America, Dallas Area Romance Authors and PASIC.

Anna is a fifth generation Texan. She was born and grew up in West Texas, where most of her family members were farmers and ranchers or worked in the oil fields. She left Texas for many years and lived in four of the western states, a rich experience she’ll never forget.

She loves most things western, from the customs and culture to the philosophy of life. She enjoys many hobbies, i.e., reading, painting and drawing, crafting, needlework and beading.

These days, she’s back home in Texas. She and her husband currently live in Granbury, Texas, a small town not far from the Dallas/Fort Worth Metroplex. 

Find her website at http://www.annajeffrey.com





Wednesday, October 8, 2014

WRITING HUMOR IS NO LAUGHING MATTER!

By Mary Adair

I love to read stories that incorporate humor. To me humor is one of those “spice of life” things, so how could I not write humor? Well, writing humor is much harder than you would think. You would think having a sense of humor would be all you need. Not so, as I quickly learned.

So what did I do? Like any good writer, I researched the subject. Here is something I read…

Rule 1: Words with the k sound (Cadillac, quintuplet, sex) are perceived as the funniest, and words with a hard g (guacamole, gargantuan, Yugo) are almost as funny. I am sure this is a good rule, not that I understand it.

This is what I can get out of it… “Sex in the back seat of a Cadillac could lead to quintuplets.”   Okay! Not Funny!

My story, PASSION’S VISION, is filled with historical detail portraying the Cherokee People during a turbulent time of war, smallpox, great loses and miraculous victories. It is a fast-paced adventure containing intrigue and a dash of Native American mysticism.

New Moon is a Cherokee warrior. She and her husband fought together in many battles. She mourns the death of her husband, whose life was taken by a white man. To top that off, she is having visions of a white man soon to arrive in her village. She is not sure, but he sets all her warrior senses aquiver over not knowing if she is supposed to kill him or have his child. That is defiantly not the funny part, though just at this moment, it kind of struck me that way.

James Fitzgerald is an agent in King George’s court. He is commissioned to blend into Dancing Cloud’s village to uncover and botch the plans of a French agent creating discord and bloody conflict between the settlers and the Cherokee.

These are two warriors from different worlds who meet and clash. It does not take long before it is revealed their survival depends on their ability to overcome their differences and defeat those who seek to destroy them both.

This story needed a bit a humor. I chose James to be the brunt of my moments of humor. He was just so clueless at times when he stumbles into confusion over the nuances of Cherokee culture.

In PASSION’S PRICE, I really had fun with my characters.  Raven, Red Panther’s adoptive son is the serious one. Dawn, Red Panther and New Moon’s daughter is also very serious, strong headed and, a visionary…like her mother. Now imagine tossing a heavy dose of Cherokee culture into an English fountain, in the way of a Sun Greeting Ceremony, performed in the nude of course, or dropping into a Cherokee Death Sleep during a “Coming out ball” just to prove a point. You have to admit that would cause a bit of a ruckus among the English elite.

In PASSION’S PRICE I added in two precious grandmothers who are known for their matchmaking and meddling into other’s affairs. I also introduced Sir William, affectionately called Willy by his grandmothers. William is totally smitten by Dawn but is quick to realize he has no chance winning her affection, so settles back to watch the battle of wills between Raven and Dawn.

PASSION’S PRICE is every bit as serious a book as Passion’s Vision, but I really enjoyed and could not stop myself from stirring in a bit of humor at every opportunity.



A shout rose up from the watchman of the gate as Red Panther and New Moon emerged into the clearing that surrounded the village. The Old Beloved Woman quickly hurried through the gate with a robe to place about New Moon. Clucking like an old hen the elderly woman ushered her back toward the village.

Just before disappearing through the gate New Moon looked back at him, her eyes twinkling with promise and her lips spread in a smile that made his heart jump and his stomach tighten.

As James passed through the gate Dancing Cloud met him and slapped him warmly on the shoulder.
"Panther, it is good you have returned to us. I see your scalp," he said, pointing to the scalp at James' waist.

"Will his blood cry?"

"He killed New Moon's brother. He would have killed New Moon. He got what he deserved."
Dancing Cloud nodded his approval, "Good. It is finished." With a sideways glance he asked, "Did New Moon accept you?"

"Yes."

"Good! I would not have given back the bride price." Dancing Cloud said jovially. Noticing Red Panther's downcast expression he said, "You do not look good, my friend. I do not understand. You saved your woman, killed your enemy, you were alone in the mountains with New Moon. You should have come back strutting like that new stallion of mine."

James looked confused as he stared at Dancing Cloud, "Yes, I killed my enemy." He sounded incredulous. "I saved my woman, but the nights alone with my conquest were the most difficult of all. This custom of yours, of a warrior not defiling himself when on the warpath, almost killed me."

Dancing Cloud fought valiantly with his features but soon gave up and crumpled over in great laughter. James waited patiently for the chief to regain his composure.

Finally the chief straightened and wiped his eyes as his face once again molded itself into the mask of total sobriety. "You must have strong medicine." He let his eyes casually roam about the village as if in thought, "Much control." With this last statement, he turned his back to James and walked away.

The village shaman hurried from his lodge, his hands filled with a variety of rattles and pouches of herbs, toward Red Panther. As he neared the chief, Dancing Cloud reached out and caught his arm. Pulling the old man close Cloud leaned toward his ear as if to whisper, but rather said very loudly, "You will not need all of those things. Red Panther did not break purification."

The old man looked at the chief in surprise and then to James. James, in an attempt to ignore the scene the Chief was causing, allowed his gaze to wander about the village.

To his dismay every face was turned his way. It seemed the entire village could find nothing of more interest than his sex life! Tucking his rattles back into his medicine pouch the shaman turned, and with one last glance at James, walked with Dancing Cloud back to his lodge.




"I can't believe everyone thinks that she fainted. I have a bad feeling about her," Dawn mumbled.
"And well you should, she's French you know." Lady Montgomery's words and tone of voice left little doubt as to her opinion of England's neighboring countrymen.

Dawn only half listened. The whole affair seemed a form of madness to her. The loud music, women's high, exaggerated giggles springing fourth in response to nonsense, men's blind doting over staged performances. This miss-matched accumulation of nonsense made this the most unpleasant and curious evening in all her experience with the white man's world.

Lady Montgomery interrupted her thoughts. "And no one really thinks she fainted, dear." She patted Dawn's hand. "Or, at least most of them don't."

"Then why all this?" She indicated the activity that was taking place a short distance from them, where men still thronged around Marguerite as she pretended to weakly accept their assistance.
"Why, dear, because it's expected. Ladies are supposed to swoon."

"They are expected to swoon?" Dawn asked incredulously. "Yes, of course, and some truly do," Lady Gaylord answered.

"Of course, the tight corsets, the drink, the crowd, the excitement. It's only natural that some sweet frail little thing will be overcome by it all and naturally swoon," Lady Montgomery added.
"But," she continued in what appeared to be an attempt to head off Lady Gaylord, "there are those who are not so overcome. When they feel they're being left out, they bring the attention back to themselves by feigning a swoon. I'd suggest Marguerite’s little performance was equal to that of a temper tantrum."

"Yes! She's angry," Lady Gaylord pushed forward.

Dawn gazed at her in surprise. "Why? With whom?"

"Why, with you, dear."

"Don't look so startled, dear. You've stolen her...thunder, you might say."

Dawn smiled. Knowing about her Cherokee ancestry the two dears continually tried to interject words into their speech they thought would make her feel more at home. Considering what they had just said, she looked hard in Marguerite’s direction and replied, "That is ridiculous. I never stole her thunder or anything else. Perhaps she's just insecure."

Both women swung their heads in Marguerite’s direction and stared for a short while before shaking their heads. "No," Lady Gaylord spoke decisively.

"No, you're wrong, my dear," Lady Montgomery agreed as she turned back to Dawn.

"She knows what she wants," injected Lady Gaylord.

"And she knows just how to get it. I'm sure she would stop at nothing. You, my dear, took away some of her thunder. She just took it back."

"You know, Victoria," Lady Montgomery tapped her fan against her hand speculatively. "I don't think she likes it at all that Dawn is here."

Dawn listened while the two matrons conversed between themselves as if she were not present.
Lady Gaylord nodded in agreement. "No, she's very unhappy about Dawn. Raven has given his new ward far too much attention to suit Marguerite."

"Well, why shouldn't he? She is his partner's daughter and she is here under his protection." Lady Montgomery smiled slyly, a hint of triumph in her voice. "And she's very beautiful."

"Yes, she is. More beautiful even than Marguerite, in my opinion." Lady Gaylord grinned wickedly, then sobered. "Dawn must be very careful of Marguerite." Dawn stiffened.

"Yes, she must," Lady Montgomery spoke softly as she moved closer, reminding Dawn of a mother hen shielding her chick.

Lady Gaylord, with the same air of protectiveness, put a reassuring hand at Dawn's waist. "We'll just have to help her."

"Yes, we must."

"Help me what?" Dawn could hold her tongue no longer.

Both women jumped and quickly exchanged secretive looks before they returned their attention to Dawn.

"Oh, nothing, dear. Nothing at all."

"You have nothing to worry about." Lady Gaylord patted Dawn's hand. "We'll not let Marguerite hurt you."

Dawn straightened. "I do not need anyone to protect me. I'm not afraid of some silly white woman who can't even achieve a proper death sleep."

"Oh, of course you're not afraid, dear." The grandmothers exchanged looks again. "You've nothing to fear. We just feel that you should not underestimate Marguerite. She is very cunning. By the way, dear, what is a death sleep?"

Dawn shrugged. "I'll explain later." She was stung by the older women's lack of belief in her. She was as much a warrior as her mother, and Marguerite had declared war.

She stole a glance at Marguerite, who now sat perched on a low stool where some gallant young man had placed her after he so graciously caught her in his arms. All around Marguerite silly young men, and not so young men, fretted and fluttered like wild birds in a mating dance.

Yes, this was war, a different kind of war. The rules, as she understood them, were confusing, but she knew she would win it. The stakes were too high to lose.

She looked at Raven leaning against the mantle, the look of a storm cloud on his face. The strength she saw in him did nothing to reassure her. Her vision was real. Raven was in mortal danger and his strength would not save him. It was up to her. The Great Spirit would not have sent her the dream if that were not so.

She saw him take a deep breath and push himself away from the backrest. He was about to go to Marguerite. It was time to let Raven's fiancée know her challenge had been accepted.
Without a word Dawn raised her wrist to her forehead.

***

A glance in Dawn's direction and Raven froze. "Great Spirit, no.”

William shoved himself from the mantle. "Good Lord, Raven, what's got into you?"


Raven watched as Dawn sank to the floor. As if in slow motion Lady Gaylord turned in Dawn's direction, placed a hand to her cheek and let out a wail to put any Cherokee mourner to shame. The resulting pandemonium gave credit to Dawn's flare for drama. Ladies, young and old, no doubt believing they had just witnessed the demise of one of their own, dropped faster than the bewildered gentlemen could respond.




RAVEN'S PASSION is also part of the Passion series, and falls between the two books mentioned above.

Monday, October 6, 2014

ALL ABOUT INSPIRATION...WHEN IT'S READY

By Liz Flaherty, Guest Author

          Thanks for having me here today! One thing I love about having a new release is that I get to visit a lot.

          When my younger son and his wife married, they moved to Vermont the day after the wedding. Since I couldn’t keep them in Indiana forever—it’s amazing how independent kids get—I comforted myself by saying at least now I’d get to visit Vermont, which I’d wanted to do since reading Understood Betsy when I was eight or nine.

          You know how sometimes you anticipate things until you’re practically jumping up and down with the great expectations that are skating wildly through your mind, only to be disappointed? Let down because...well, what actually came to pass was somehow less than you’d hoped?

          Vermont wasn’t like that.

          The first time I went there―during mud season, no less―I felt as though I’d come home. Over the next 15 years, I visited close to 20 times, and it never got old. Its beauty, culture, and the people who live there filled a huge place in my heart I never even knew was empty. Naturally enough, I wanted to place a book there. This would require several research visits, of course. So I started one.

          And another.

          And yet another.

          What was wrong? I had the inspiration, acres and acres of it. I had people (I always get them first. Do you?). I had a story. Why wouldn’t it work?

          I still don’t know the answers. I only know that when we visited Ireland, the storefront of a pub in Kinsale caught my writer’s eye (not to be confused with my regular eyes, which never watch where they’re going, but that’s a different story) and never went away. When I finally gave my pub a name and a home, its setting was a small town in Vermont. The writing of Back to McGuffey’s went quickly enough I never got a chance to go back for a research trip—though there were many, many emails exchanged with Vermonters who could look out their windows and see what I was trying to imagine.

          I love inspiration. As a writer without much of an imagination, I depend on it. But I think it would be nice if just once in a while, it came around when I wanted it instead of in its own time.

Liz Flaherty, Author

:
Liz retired from the post office and promised to spend at least fifteen minutes a day on housework. Not wanting to overdo things, she’s since pared that down to ten. She spends non-writing time sewing, quilting, and doing whatever else she wants to. She and Duane, her husband of…oh, quite a while, are the parents of three and grandparents of the Magnificent Seven. They live in the old farmhouse in Indiana they moved to in 1977. They’ve talked about moving, but really…37 years’ worth of stuff? It’s not happening!
 

The one that got away

Could Kate Rafael’s day get any worse? First she lost her job, then her house burned down and now her ex is back in town. Apparently, Ben McGuffey's taking a break from being a big-city doctor to help at his family’s tavern and reassess the choices he's made for his career.
Ben ends up giving Kate a hand...then giving her kisses...and finally, a second chance. But when a local teenager shows them both a glimpse of what it means to be a family, Ben wonders if having kids in small-town Vermont would clash with his ambitions. Or can he truly come home again…to Kate?

Excerpt of BACK TO McGUFFEY'S:


            Ben leaned into the bed-and-breakfast’s kitchen when he got back on Friday afternoon, and her heart quickened, beating a tattoo against her ribs that made her a little light-headed.
            “I’m off to the tavern pretty soon,” he said. “Morgan’s talking mutiny, so I’m working the weekend. See you later.” He ducked out, only to stick his head back in a moment later. “If I need you, will you come and help?”
            She thought for a moment of her weekend plans. There was a trip to the wholesale grocer tomorrow afternoon and church on Sunday. At some point, she would most likely clip her toenails and work highlights through her hair.
            She could probably spare the time.
            “Okay.”
            “I’ll take you bowling Sunday night,” he promised. “Not that you could beat me, but it will be fun.”
            She snorted. “On your best day, if I gave you twenty pins, you couldn’t beat me.”
            “Those are mighty big words for such a little woman who probably doesn’t remember where the bowling alley is,” he drawled.
            She laughed. “You forget, tall guy, I stayed here while you went to the big city. I bowl on a league in the winter and teach it to kids on Saturday mornings from January through March. Winner buys dinner? Just remember how much I like steak.”
            “Uh-oh, I’m scared.” With a wave, he was gone, loping across the yard to his apartment, and Kate sighed, feeling the emptiness he left in his wake. She kneaded dough for the weekend’s cinnamon rolls, pushing and pushing and turning over and trying not to hurt.
            She liked being a temporary innkeeper. It was interesting meeting guests from faraway places and walks of life she knew nothing about. After nearly twenty years of living alone, she enjoyed sharing space with other people, especially since she had plenty of room and time to be alone if that was what she wanted.
            But it wasn’t enough. She wanted a family. She wanted children she didn’t have to give back and she wanted to be in love. She wanted a man to look at her the way Dan looked at Penny.
            She thumped the dough into a greased bowl and placed it on top of the refrigerator.
            Standing at the sink, washing her hands, she watched Ben’s bicycle ride away. He’d been wearing a helmet all the time lately as part of teaching Jayson to ride. It made him look a little goofy, and she’d laughed uproariously the first time she saw it. His response had been to buy her a matching helmet and refuse to ride with her unless she was wearing it.
            What a great father he would be.
            There’s an emptiness to it, she remembered her sister Sarah saying during the couple of years she and Chris had had fertility problems. It seems as though everyone we know is either pregnant or they already have children. I don’t know what to talk about anymore.
            Kate had seldom felt that kind of emptiness. She had friends, such as Joann, who had chosen to remain both single and childless and were perfectly happy that way. Kate had never minded it, either. Until recently. Until the doctor reminded her as kindly as he could that her reproductive time was running out.
            She didn’t have a “why me?” personality. She’d even printed “Why not me?” in a 72-point font and stuck the paper to the front of the inn’s refrigerator to remind herself that she wasn’t the only person whose dreams had been deferred. She hadn’t really cried over her house until Penny poured her a pint Mason jar full of wine and told her no one liked a martyr. Then, of course, she had wept buckets. She didn’t like martyrs, either.
            The truth was she didn’t want to be a single parent. She didn’t think it was wrong—some of the best parents she knew were doing it on their own—but it wasn’t right for her. She wanted not only a basketball hoop in the driveway, but a tall guard to partner up with her small forward in the game of parenting.
            The thought drew her glance to the front of the refrigerator. Beside her self-directed “Why not me?” sign was a snapshot of Ben and Jayson on the inn’s driveway. Jayson was mid-dribble with the basketball, his tongue sticking out the corner of his mouth as he concentrated. Ben’s arms were up, and only someone who knew him well could tell he wasn’t really trying to stop his opponent.
            What a great dad he would be, she thought again. What a great guard.




Saturday, October 4, 2014

The Glamorous Writing Life. Not. #amwriting #romance #mailorderbride #fantasy


Lemme tell you, this has been a busy, busy week! Not only am I on a tight deadline for my Christmas story for the Prairie Rose Publications Wild Texas Christmas anthology, I have two new releases that need attention. (Obligatory blatant self-promotion will be at the bottom of the page.)

You know that writer who sits on the couch eating bonbons while some half-nekkid man fans her with a giant palm frond?

Me, neither.

What does a writer really do? Not much writing, these days, that’s for sure. Here’s a list of what I need to do—and keep in mind it’s not just me. Authors have to do this stuff or she won’t be an author for very long.

  • Check email. Today I’m lucky. Only 159 messages in my Inbox, not counting all the messages from the different Yahoo groups I’m in, which are in separate folders.
  • Facebook. Okay, I admit the part where I chat and razz with my reader and writer friends is fun, especially at the Pickle Barrel Bar & Books, and one of the more pleasant “have-to’s” in my life, but then we have to post our books for sale absolutely everywhere. I’m not a salesman! I hate selling stuff. I can’t even tell you how much I despise having to push-push-push my books. Doesn’t matter, though, because it has to be done. The trick is doing it so it’s not obnoxious.
  • Twitter. I don’t spend much time there but do try to stay up to date with followers, and I even occasionally post tweets.
  • Triberr. This is a real pain in the patootie. I rarely have time to write my own blog articles, but every day (confession: I don’t always do it and even went a month once without loading Triberr) I have to click a bazillion different blog posts to clutter my stream. Occasionally, there’s an interesting article but usually, not so much.
  • Instagram.  My 14-year-old granddaughter got me set up on Instagram.  Computers are one thing—smartphones are another deal altogether.  I just don't get 'em.  But I've managed to have at least a small presence there, and favorite some pictures every day.  To be honest, I could use another lesson from my granddaughter!

This all takes the first two or three hours of my day—more if I venture over to Pinterest, Google+, or Goodreads. There are also the four group blogs of which I’m a contributor that I should read and comment. I generally do read but confess to not posting comments when I should.

No, I don’t write these few hours because I’d just have to rewrite the scene anyway. Two hours isn’t nearly enough time to drink two pots of coffee.

On top of all the social media, there’s the actual marketing with correspondence with particular sites. Right now I’m setting up Mail-Order Tangle and Cowboys, Creatures, and Calico, Volume 2 for newsletter gigs at The Romance Studio. Except I’m not, because my husband is taking me out of town for our anniversary, so I'll have to get right on it the day I get back.

The aggravating thing is, every advertiser wants something different. Some want only certain social media links, some want excerpts—some want 500 words, some want 1,000 words... yes, every site is different) and some don’t want one at all. Some sites want a 25-word tag line, some want 50 words, and again, some don’t want one at all.  Some want a book synopsis but not the back cover copy—you have to think of something different.  Problem is, it's the same danged book.  Then there’s the whole bio bit. That’s a little easier because I have a long one and a short one—except it’s not easier because I’ve had a new release every single month of 2014 and my bio is out of date the minute I click “Save.” We won’t even go into graphics and book cover sizes.

Did I mention the website? My website is sorely out of date. Someone really needs to do something about that. I’m perfectly capable of coding my own site, and telling someone else what to do takes as much time as doing it myself. But the key word there is “time.”  I have at least 50 or 60 hours of coding to do for the site to be up to par.  Lately, I've been directing people to my Amazon page.

Then there's blogging.  It takes me several hours to create a decent blog article.  First you have to think of something to write about, then research it, write it, find graphics, format the thing, and publish.  I write for four group blogs: Smart Girls Read Romance, Cowboy Kisses, Western Fictioneers, and Prairie Rose Publications.  I figure I could write eight chapters a month more if I didn't blog, but then it does help get the word out in a non-marketing way.  

If an author is with a publisher, and I’m with three besides self-publishing, there are also marketing obligations (even if not on the contract) that must be met. I’ve volunteered to coordinate the Prairie Rose Publications events. PRP is owned by wonderful folks who can use the help, I know how to organize an event and actually have fun at it, so it’s a good mix. But it takes many, many hours to set one of these up and publicize it. I’d guess at least 30 hours.

Have I written a word yet today? No. I can do a lot of the left-brained stuff with four little boys raising hell, but I need uninterrupted quiet time to write my stories. That’s why I generally write from 10pm (sometimes 11pm) to around 4am—later if I’m on an roll. Also, people don’t expect an immediate answer on Facebook or email in the middle of the night.

Yep, that makes for some long days. I once heard that an entrepreneur was someone who worked 16 hours a day, 7 days a week so he wouldn’t have to work and 8-hour a day, Monday through Friday job. That pretty well describes an author, too.  Of course, there are still meals to fix, laundry and vacuuming to do, and toilets to clean.

And, of course, I have a story due October 12th and two more short projects, which will take a couple weeks each, and Much Ado About Mustangs to finish before the end of the year.  Whew!  That's 100,000 words.  A friend asked me if I was going to participate in NaNoWriMo.  I told them I do that every danged month.  Heck, I'd like to take November off!

Okay, now for my blatant self-promotion. I’ll give one reader a digital copy of Cowboys, Creatures, and Calico, Volume 2, and another reader a digital copy of Mail-Order Tangle. Don’t forget to leave your contact information with your comment. If you’re not comfortable doing that, send an email to jacquierogers@gmail.com with the subject “SGRR winner.”

Here are the blurbs and covers.

Mail-Order Tangle 
two books
by best selling western writers
Caroline Clemmons and Jacquie Rogers

Mail-Order Promise 
by Caroline Clemmons

Ellie Dickerson and her sister are in desperate straits when she contracts to become a mail-order bride to a Texas rancher. After her arduous trip from Virginia, she learns her fiancé has died. His handsome brother has sworn to take care of her and she's instantly attracted to him, but he seems indifferent toward her. What will happen to her and her sister?

Kage Johanssen, co-owner of a ranch in Idaho with his cousin Matt, is forced to take over his family's Central Texas ranch on the death of his older brother. Kage is in no hurry to get married, and when his brother's bride shows up, she's everything he doesn't want in a wife--except she's stunningly beautiful. Despite his deathbed promise to his brother and his attraction to Ellie, he's convinced she doesn't have the grit to be a rancher's wife.

When a greedy, sadistic villain attempts to take over the ranch and kill Kage, can Ellie save her true love? What will it take to prove that she's the only woman for Kage?

Mail-Order Ruckus
by Jacquie Rogers

Matt Johanssen returned to the ranch he and his cousin Kage started in Owyhee County, Idaho Territory, not knowing he took Laura Dickerson's heart with him. Now that her sister no longer needs her, Laura wants a home of her own and a family to put in it. No other man would fill the bill as well as Matt, but he's not interested. Not wanting to live as a spinster aunt the rest of her life, Laura signs a contract with a marriage broker, choosing to go to Silver City, near Matt's ranch, in hopes that he might come around. But he's not on the roster of eligible grooms!

When Matt sees Laura among the brides on display on the balcony of the Idaho Hotel, he feels gutshot. He's in no position to take a wife, not with a ranch eating up every spare moment and dollar. But if he doesn't step forward, the one woman he wants will be wed at the end of the week--and not to him.

Will Matt walk away from the woman who stole his heart or let go of everything he's worked so hard to build go in exchange for love?
Available in digital at:


Cowboys, Creatures, and Calico, Volume 2
Halloween short stories by
Cheryl Pierson, C. Marie Bowman, Jacquie Rogers, 
Kaye Spenser, Kristy McCaffrey, Kathleen Rice Adams

What better way to spend Halloween than with some handsome cowboys and feisty heroines who are determined to fall in love despite their supernatural powers—or lack thereof? Halloween’s a good time to take a chance on love—and to see what these Cowboys, Creatures, and Calico Vol. 2 stories might reveal to the unsuspecting reader—you!

Cheryl Pierson’s Spellbound will have you on the edge of your seat as safecracker Brett Diamond and witch Angie Colton take on a border gang leader who is pure evil. Can Angie’s supernatural powers save them? No matter what, Brett and Angie are hopelessly Spellbound.

C. Marie Bowen’s Hunter and Lily Graham is an unforgettable tale of a beautiful school marm’s love for her children that surpasses all. When a Cajun bounty hunter known only as “Hunter” shows up, Lily Graham knows he, and no one else, can help her save a young girl.

Have Wand — Will Travel is Jacquie Rogers’s offering about a handsome young mage, Tremaine Ramsey, who has a wand and knows how to use it…sometimes. Will his magic be strong enough to pull off a daring rescue of his father from the evil Gharth? Or will he need the warrior Nora’s love to help him see his Fate through?

Will Kaye Spencer’s character, Mercy Pontiere, be able to break a centuries-old curse and find true love all at the same time? It all depends on Reid Corvane and what he’ll do For Love of a Brystile Witch.

In Kristy McCaffrey’s story, The Crow and the Coyote, Hannah Dobbin is after an evil Navajo sorcerer who murdered her father, and she’s determined to see him dead. But she’ll need a bounty hunter, The Crow—to help find this vile man. With Hallowtide upon them, more evil is afoot than they can handle; but love will find a way.

A failed bank robber, Tombstone Hawkins, along with a fake gypsy fortune teller, Pansy Gilchrist, set out to make both their deceased fathers proud in one final spectacular heist. Family Tradition is Kathleen Rice Adams’s tale of the discovery of true love amid the commission of a crime—or the failure to commit a crime—while being overseen by the ghosts of the couple’s fathers. How can there be a happy ending? It’s Halloween, and anything can happen!
Available in digital at:




Thursday, October 2, 2014

COVER REVEAL FOR STONE MOUNTAIN CHRISTMAS

By Caroline Clemmons

Now that Fall is officially here, we’ve entered my favorite time of the year. I think of this as our cozy period gearing up for the holidays. I’m such a fan of Christmas that I look forward to it all year long.

Sure, I’m still writing like crazy—that’s what I do. Yes, I’m still stuck in bed with my foot propped up following ankle reconstruction, but the foot and ankle are looking great and already feel much better than before the surgery. In one more month, I’ll be able to put my weight on the foot—I hope.

In the meantime, Hero is enjoying the cooler weather for the fishing he loves, in spite of having to literally wait on me hand and foot as well as rake leaves. As a matter of fact, we’re both pretty happy right now. As the old colloquialism goes, “We’re as happy as if we had good sense.”

Now I have a question for you readers. Do you read Christmas books only in November and December? Or, like me, do you read Christmas themed books all year?

For years I resisted writing a Christmas book because I feared it would have a short life. Both our daughters asked for one, though, so what’s a mother to do but comply?

My current work in progress is titled STONE MOUNTAIN CHRISTMAS. If not for the interruption of the aforementioned major surgery, I had planned to launch this novella this week. You know what happens to the best-laid plans, right? Yep, not only do they often go awry, but sometimes Life kicks them into next month.

This is NOT a complaint, by the way. I chose to have the surgery and am relieved to be nearly pain-free. I’m merely making excuses, maybe whining a little because I’m behind schedule several weeks.

On a more cheerful note, let me share the lovely cover Kim Killion did for me. Kim is gifted, as you can see. I picked out from her stock photos a shot of the person I wanted on the cover, described what I wanted, and Kim worked her magic.   



What do you think?

The story is set in the fictional Radford Crossing, Texas when lovely young widow Celia Dubois comes to stay with her parents, George and Harriett Sturdivant. They own the mercantile store. Celia is aware of the pall that’s fallen on the community since bandits burned their church. She vows to restore the town’s Christmas spirit.

Eduardo Montoya is captivated from the moment he first sees Celia. The charming flirt is almost speechless around her because this woman is too important to his heart. He volunteers to help with her project. Perhaps spending time with her will offer a chance to court her.


I hope you’ll be watching for this novella and will enjoy reading STONE MOUNTAIN CHRISTMAS.