Showing posts with label Wild Rose Press. Show all posts
Showing posts with label Wild Rose Press. Show all posts

Thursday, June 23, 2022

START YOUR SUMMER DAY WITH BURNING PASSION

 Judy Ann Davis

"Now that your eyes are open, make the sun jealous with your burning passion to start the day. Make the sun jealous or stay in bed.” – Malak El Halabi ~ Poet and  Consumer Behavior Expert 

What a way to start the day--with a burning passion! 

But what about the end of it?  Have you ever felt you’ve accomplished anything? Even when we do things according to a well thought-out schedule, do we take any time to do the things we want or like??                                                                   

I’m learning that variation in our daily or evening schedules is a healthy and a rewarding way to change the pace of the day. Chores don’t have to be done on the same day every week. Laundry can wait a day. Dinner doesn’t have to be a strict time every day. We’re allowed to unwind, be more alert, center ourselves, and enjoy life instead of frantically keeping pace with it. 

I’m now taking some respite with my writing as well. I’m taking time to ponder the last 20,000 words I need to finish my novel, and I’ve decided not to let my Type A personality poke, push, or guilt me.

Instead, I’ve been reading an old book called “The Plot Thickens,” a series of short stories by best-selling mystery and crime writers Mary Higgins Clark, Janet Evanovich, and Ann Rule, to name a few of the authors. It’s refreshing and enjoyable to read the
short, compact, mystery stories in one sitting.

I’m playing music. I’ve made a batch of cookies. I met with card club friends. I’m taking time for myself. I’m breaking my routine, and I’m feeling cheerful as I embrace that much-needed passion to start my summer days.

So tell me—how are your days evolving? Are you making the sun jealous with your burning passion?   

Visit My Amazon Author Page for all my books.  

HUCKLEBERRY HAPPINESS now only $1.99

                                                                                              
                                                                            

Monday, November 10, 2014

AUTHOR SUSAN SHEEHEY EXPLAINS WRITING CHARACTERS WITH COMPLICATIONS

By Susan Sheehey, Guest author

Susan Sheehey, Author

I’m going to start by stating the obvious. The most important factor in romance novels are the characters. They set the tone, drive the plot, and build the drama. Characters are the key in readers turning the page.

The not so obvious: I’ve realized they are also the key on how fast I write.

The stronger and clearer the character, the faster I write. It’s like I can’t get the words out of my head fast enough. I wrote my debut novel Audrey’s Promise in only 6 months. (Yes, that’s fast for me).

Then I wrote the first book in my romantic suspense trilogy, Prince of Solana, in 5 months. Speed record!

But the second book in the trilogy, Jewel of Solana, is taking forever. Not including the last 6 months where I’ve given birth to my youngest son and had my gall bladder removed, Jewel has taken 10 months. And I’m still not finished with it.

Strictly because of a character issue (it took me a while to identify that as the problem).
Flynn, the hero, has Asperger’s. Asperger’s is on the Autism Spectrum (high functioning) where the person is very awkward in social interactions and has a hard time connecting with others. They are normally incredibly intelligent people with an extreme passion for certain subjects, and can invest an enormous amount of time and concentration in tasks they like. Examples of people with Asperger’s are Steve Jobs, Dan Aykroyd, and Bill Gates.



The hero in Jewel of Solana, Flynn, has certain quirks and idiosyncrasies that appear awkward to everyone. But in the chapters where I write in his point-of-view, I get stuck.
Bottom-line, because I don’t understand him.

I’ve done a lot of research on ASD, because my eldest (6 years old) has Autism. He has extreme passion for trains and Legos. His verbal skills are delayed and he has a hard time recognizing emotions in others. When he was younger, haircuts and brushing his teeth would throw him into unmanageable tantrums and self-injury.

So I can identify the symptoms of Autism, even understand the generic why he does certain things. He likes linear things and color-coding, because he finds them comforting. But why are those comforting?

Much like with my hero. Yes, Flynn likes putting engines together and doesn’t comprehend sarcasm, but why? It’s very difficult— almost impossible— to write in his point of view if I don’t fully understand what he feels about those things. Particularly the sensory processing stuff.

He hates people touching his ears and can’t stand nightclubs. What does it feel like when he’s in that environment? How can I properly show the readers what physically happens inside him when he’s bombarded with all of the sights and sounds?

The closest I can get to it is my aversion to large crowds. I can describe how I feel when I’m at a football game or concert, but I know that’s merely a fraction of the discomfort Flynn feels, who literally cringes and covers his ears. So how I can vividly portray him in my story if I can’t fully understand how he feels?

Keep in mind this is a romance novel. If I don’t fully understand him, how can Alanna look through all of those quirks and fall in love with him just the way he is? How can they move past the physical barriers that Flynn feels to people touching him?

Perhaps I’ve bitten off more than I can chew with Flynn. Perhaps I’m not as talented a writer as I need to be in order to do him justice. Which is why it’s taking so long to finish this manuscript.

Or maybe I’m overthinking again, which tends to happen when I’m chronically sleep-deprived. I’d love to know your thoughts. Any Aspies, or anyone else care to weigh in?

Amazon:
http://www.amazon.com/Audreys-Promise-Susan-Sheehey-ebook/dp/B00E4USBC6/ref=
sr_1_1?ie=UTF8&qid=1414627547&sr=8-1&keywords=audrey%27s+promise

B&N:
http://www.barnesandnoble.com/w/audreys-promise-susan-sheehey/1117344736?ean
=2940149002252

WRP:
http://www.wildrosepublishing.com/maincatalog_v151/index.php?main_page=produ
ct_info&cPath=242_175_133&products_id=5355

Kobo: http://store.kobobooks.com/en-US/ebook/audrey-s-promise

All Romance:
https://www.allromanceebooks.com/product-audrey039spromise-1336203-149.html

GoodReads: https://www.goodreads.com/book/show/18241821-audrey-s-promise

Susan writes contemporary romance, romantic suspense and women's fiction.
Her next novel, PRINCE OF SOLANA, is a romantic suspense with the Wild Rose
Press due out early 2015. After spending six years in the corporate world,
Susan's true passion wouldn't let go and she's been writing ever since. She
lives and laughs in Texas with her husband and two sons. Follow Susan's page
at www.SusanSheehey.com or on Facebook (Facebook.com/SusanSheehey) and
Twitter @SusieQWriter.

Monday, September 22, 2014

DO CHARACTERS HAVE TO BE LIKABLE?

By Barbara Barrett, Guest Author

Apparently readers don’t like their heroines to undermine their best friends. My heroine in Saved by the Salsa, Lacey Rogers, took quite a beating from judges’ comments and ratings in the contests in which the early rendition was entered. What really brought the point home to me was when I pitched to one of my dream agents. After I’d taken a minute to lay out the main theme, she immediately put the kibosh on my idea by telling me there was only one other author of whom she was aware who’d successfully used a similar theme, and that was probably because that author had already made it to the New York Times list. (No, she still hasn’t indicated an interest representing me.)

In that version, Lacey was convinced her best friend had made a horrible mistake by immediately taking up with the office Lothario, Jack Dalton, within days of being dumped by Lacey’s brother. So Lacey decided to “seduce” Jack away from her friend, rationalizing that Jack was too much of a player for her friend. She wanted her friend and brother back together.

At the time, I was influenced by the film, “Her Best Friend’s Wedding.” Not at all the same plot, other than that heroine set out to break up her friend’s marriage, because she didn’t feel his fiancĂ©e was “right” for him. I thought both the Julia Roberts character and my own heroine were quite noble for trying to save their friends from themselves.  

Nonetheless, I went back to the drawing board. How many of you have done that? I reexamined the basics. What was the essence of the book? For Lacey, it’s twofold: not only does she want to be a top-notch architect, she also wants the family she lost after her father deserted them when she was a child and her mother died when she was a teen. Thanks to her father walking out on them and being jilted by her fiancĂ©, Lacey doesn’t trust any man other than her brother to stick around. So the family she so desires must come from her brother, hence the reason for reuniting him with her best friend.

In the revised version of the story, I kept the break up as well as Lacey’s desire to get the two lovers back together. But rather than work against her girlfriend, I had Lacey and her friend join forces to make the brother jealous with Jack. Jack knowingly agrees to serve as the fake boyfriend, so he won’t be hurt by their plan. Yes, there’s still some scheming going on, but I felt it was the kind of plot device readers would accept, especially since it serves to keep Lacey and Jack apart during the early chapters.

I continue to struggle with the “likeability factor” in my stories. It’s a constant push-pull to create interesting, compelling characters that readers can also relate to and like. But from my own experience as a reader, I lose interest in a book if I don’t like the characters. So I know it’s important. It’s just darned hard to accomplish sometimes and still tell the story you want to tell.


Here's the blurb for SAVED BY THE SALSA: 


Junior architect Lacey Rogers welcomes the opportunity to work with Jack Dalton, the firm’s golden boy, that is, until her hormones can’t resist his charm and spectacular looks. How can she keep her mind on their design project when her most potent designs are on him?

Jack Dalton has always worked alone. Now he’s got a partner. Is he losing his touch? Is that why he hasn’t been named principal yet? To make matters worse, he can’t take his eyes off the petite piece of fluff. If he can’t find some way to cool his jets, he won’t be able to keep his hands off her either.
But on the dance floor, their mutual resistance melts as their bodies meet in the vibes of the Salsa. Can the dance keep them collaborating after the music ends?   


Here's an excerpt when they're on the dance floor:

Jack took them through routines she had never encountered despite numerous visits to Salsa clubs. But she met him step for step, exhilarated by the challenge. Jack’s eyes burned. Her skin glistened from the exertion and the heat of the moment.

They floated and swirled, awash in the music, but her eyes couldn’t leave Jack’s. If possible, the glint from earlier had sharpened into the undeniable look of desire every woman instinctively recognized. In response, strange sensations pulsed through her body— sensations which blended physical arousal with emotional need while her heart pounded in rhythm to the Latin beat.

She noted vaguely how the crowd parted to make room for them. When the dance ended, the two of them stood there, chests heaving, suspended in a moment only they shared.

A wave of applause broke the spell, as other couples came up to congratulate them.

“You were fantastic!” a fiftyish-looking woman cried.

The man with her chimed in. “The couple on our CD does similar steps, but I’ve never seen them done in person. You guys are great.”

“How long have you been dancing together?” another woman asked. “You were so well synchronized.”

Fanning her face, Lacey didn’t know what to say. “Uh, well, uh, no…it was spontaneous.”

Apparently Jack’s lungs had survived better than hers as he was able to address the crowd. “My partner’s still a little winded, folks. We’re giving a class, if you’re interested. Monday night at seven. Mackenzie and Associates.” Announcement delivered, Jack grasped her hand and led her back to their table.

“A class?” she gasped between breaths. “Are you crazy?”

“I enjoyed dancing with you too.” He pulled out her chair for her. When she was seated and he was in his own chair, he leaned across the table conspiratorially. “Did you happen to notice anything our group of admirers had in common?”

She chugged down her entire water glass before replying. “They were able to breathe normally?”

“Try again. Never mind, catch your breath. I’ll tell you—they were all boomers!” 

Saved by the Salsa Buy Links


 
Barbara Barrett, Author

Barbara Barrett spent her professional career as a human resources analyst for Iowa state government, and that training has stayed with her in her writing of contemporary romance fiction. Now retired, Barbara spends her winters basking in the Florida sunshine and returns to her home state of Iowa in the summer to “stay cool.” She has published three romance novels with The Wild Rose Press, And He Cooks Too, Driven to Matrimony and Saved by the Salsa, the first in the Sullivan’s Creek Series, was released in August 2014. Her fourth book, The Sleepover Clause, the first of the Matchmaking Motor Coach Series, will be released in upcoming months.
Contact Information for Barbara Barrett