Wednesday, May 14, 2014
ON WRITING
A couple of weeks ago, I was fortunate enough to attend a writing workshop conducted by the writing guru, Donald Maass. Most people who write know who he is. It was such a treat, sort of like sitting down with a whole box of chocolate-covered strawberries.
Besides everything else he filled my head with, toward the end of the session, he touched on the subject of "beautiful writing." ..... Beautiful writing is something I adore. I have been known to read a story I didn't particularly like because I simply enjoyed the written words. Example: “Old Man and the Sea” by Ernest Hemingway. Most books by Nicholas Evans (not Nicholas Sparks). Except for “The Horse Whisperer,” Evans’ stories aren’t always great, but his writing is beautiful.
Reading a book is not always about liking the plot or the adventure or the action.
Writing beautifully is something I strive for with every book, though I don't always get there. While I try to write tight, as they say, and I use frank language in my books, I also try to fill my prose with creative writing techniques such as parallels and reversals and rhythms. Sometimes I imagine music in my head and try to write a scene to that rhythm.
When I write a love/sex scene, if it’s supposed to be romantic, I try to imagine the most romantic music I can think of and write the scene to that rhythm. Something like Rachmaninov’s 2nd Concerto or the music from “Romeo and Juliet.” Sometimes a parallel will fit into the rhythm. Simple example: He was tall, he was solid and strong, he was beautiful. …..Written as they are, those phrases fit into a musical rhythm.
Sometimes I’ve written love scenes that were fun. They call for different music in my head and less dramatic presentation. They call for short sentences and cutesy dialogue. Think “Pink Panther.”
At the same time I try to write pretty prose, I also try to make my books page-turners. I have a sign on my desk I took from some writing guru: “ABOVE ALL, DON’T BE BORING” …. So I try not to be boring. And that’s a challenge when you write character-driven stories where the relationship between two people is the plot.
By now, you probably think I'm crazy, but I’m just trying to show that many elements go into the making of a coherent novel. With this little post, I’ve only scratched the surface.
Change of subject, but not entirely. Here’s a picture of the cover of my current WIP. A sequel to THE TYCOON, this is Book #2 of my Sons of Texas Trilogy.
I’m down to the last two chapters. In this book, my heroine is going along with her life, stuck in a rut. Then something totally unexpected happens that has the potential to change her life forever. It hurls her into indecision and new territory. This is a reversal.
In this same WIP, I’m trying something I’ve never tried before with a love/sex scene. The hero is eager and expecting sex. He is also expecting the heroine to be in the same frame of mind that he is. However, she’s preoccupied with a life-changing decision. Sex is the last thing on her mind, but she doesn’t want to put him off. I’ve tried to *show* her attitude in their lovemaking. Only at the end of it does he figure out something is bothering her. ..... Now that was a challenge and I still don’t know if I’ve pulled it off.
Need I say that I’ve worked for weeks on that one scene. And now, I’m at the black moment, on which I’ve also worked for weeks.
Never let anyone tell you that writing a book is easy.
God willing, I'll be able to release this book in June.
Monday, May 12, 2014
Cart Before the Horse by Paty Jager
Every book I write comes about in a different manner. Some I
get a great idea for a title and conjure up the characters and plot. Others the
characters jump into my mind and won’t let me go until I stew and brew and know
their life story and come up with a how the hero and heroine meet and what
conflicts try to keep them apart.[whew, long sentence and thought] My least favorite is when a story idea catches my
eye and I have to come up with the right characters, the right setting, and make it all
work in a plausible fashion.
When a title comes to me, I have a completely blank canvas, or in the case of writing, blank screen where I can conjure up every element of
the story and make it mine. This is the best scenario for me to write. It gives
me freedom to go wherever I want and form the characters to fit the
situation.
Having one or two main characters appear in my head and
start arguing or battling over a situation, starts the story forming in my mind. The
restrictions on this type of story has to do with how the character, who has
formed as a person to me, will react and behave when situations are presented
to them. There is not as much freedom in this kind of writing as
the overbearing characters have to be catered to or the story will feel stilted
or unrealistic.
Story ideas that catch my eye aren’t as daunting to write as the stories where I've written myself into a situation where I have to come up with a story using
characters from previous books and following situations I set up earlier not
expecting to have to deal with the convoluted background I gave a character.
That time has come. The book I'm currently working on. Staking Claim, Book Two of the Halsey Homecoming trilogy, has a hero who was a twelve-year-old in my book Miner in Petticoats. At the time, giving him and his mother a wonderfully mysterious background and slowly revealing all the interesting twists was fun.
Now, I have to use those mysteries and interesting twists to write Colin's story and it has been a buggar! I'm not a huge fan of Regency set stories and therefore have had to do a lot of research on titles, language, and even some customs to make my heroine, a factory worker from the slums of Liverpool, sound and act realistic when she is pretending to be a titled young woman. And then there's the villain, Lord Canfield, who is after the hero's estate in Lancashire.
All the characters are on a Clipper ship headed to America. So along with the above research, I also have been researching travel by clipper ship and steam ship as well as the the larger cities in America where they land and take trains on their way to Colin's reunion with his family and the Halseys.
As readers how much realism do you need to make a story ring true for you? The hardest part of this for me is getting the heroine's dialog to sound natural with a little bit of the Liverpudlian dialect.
This book will be released the end of June if all goes well. That's also when we have to be moved off our seventy acres we just sold. So wish me luck with deadlines!
Saturday, May 10, 2014
CONFESSIONS OF A ROMANCE WRITER
By Kathy Shaw
I don’t
like sex.
Wait! Back
up. I left out a word!
What I
meant to say was: I don’t like to write
sex. (Love ya, Honey!)
There are
two kinds of sex scenes. The bad ones and the good ones. I’m going to review
the good and the bad and totally ignore the ugly of sex scenes.
Please
remember the following statements are just my humble opinions. That said I feel
I should warn you, I’m one of those people who believes if I have an opinion
everyone is entitled to hear it.
Let’s talk
about the bad. You know, the sex scenes where we have four pages of tab A into
slot B with no emotions in sight. Now grant you, there’s nothing wrong with
this if you’re wanting to read (or write) a “sex” scene. These kinds of scenes
are jarring to me when I’m knee-deep into a “romance” novel, but they have
their place in the right genre.
And then
there are those scenes that reside on the opposite end of the spectrum. Passionate
emotions pour from the couple with the fervor of Romeo and Juliet, Lancelot and
Guinevere, and Tarzan and Jane all rolled up in one. Okay, maybe not the jungle
couple, but you get my drift.
They wax on
to near nauseam about the depth of their partner’s blue eyes or the shine of
their golden locks or maybe the smell of vanilla and sunshine that radiates
from their every pore—or some such nonsense. The closest we get to any tab/slot
action is the soulful claim that they fit together like two perfect pieces of
the same puzzle. There have been occasions where I’ve forgotten they were even
naked.
But enough
about the bad, let’s talk “good” sex. (Do I hear a chorus of “Yes, please!)
Because really, there’s nothing better than good sex—unless of course it’s
great sex. But I digress.
Writing
good sex is a careful blend of the examples of bad sex we just talked about. It
shouldn’t be a block of emotional connections that switches into the “meat” of
sex. (Sorry, I couldn’t help myself.)
A touch
should evolve both a physical and emotional response. Those responses should graduate
exponentially with where you are in the love scene. Which makes sense, right?
You don’t want them to have an emotional climax while still in the petting phase
of loving-making.
Writing
good sex is very difficult, which is probably why I don’t like to do them. That
being said, after hours of pulling out my hair, agonizing over just the right
words and making sure body parts can actually bend and twist as I’ve written
them; I am always pleased with the final draft of my love scenes.
Always take
into consideration when in the story the love scene takes place, the
circumstances of both the physical and emotional situation of both characters, and above all else the storyline. If they need to have sex in Chapter One (God,
help you!) make it happen believably.
Final words/advice if you're an author: write what feels right.
Am I wrong?
Right? Or left some vital piece of helpful information out? Let me know. I’m
always in search of an easier way to write sex.
By the way,
did I tell you that I have just agreed to write an erotic novella? I’m such a
glutton for punishment!
Kathy Shaw’s
latest release is BLONDIE AND THE HITMAN, a Darla Bodecker mystery, and is a humorous mystery with a dash
of romance. Buy her book here.
Thursday, May 8, 2014
LIVING HAPPILY-EVER-AFTER
By Caroline Clemmons
Why do
I write novels? Mostly because I can’t stop. ☺ There have been a few times when I became
discouraged with my career path and decided to quit writing. I couldn’t. It
appears I HAVE to write.
Seriously,
I believe romance offers hope to readers who face what seems like
insurmountable problems in their own lives. Reading about characters who
overcome challenges and achieve happily-ever-after offers readers the dream
that they too can achieve their dreams. In fact, I say romance authors sell
hope. Since I’m an eclectic reader, I’m an eclectic writer. I write paranormal,
contemporary and historical romance. I also write cozy mysteries, although I’m concentrating on romance novels now.
What I write are the kinds of stories I enjoy reading. As a theme, I want readers to find hope in my novels. Another theme is family in various forms, but always that family support one another--even if family is bonded friends rather than blood relatives. Finally, I think a second chance/redemption is a continual theme. Don’t we all wish we had a second chance to right past wrong decisions?
My goal is for readers to sigh with pleasure at the outcome of the characters at the same time they’re sorry the book is ended. Also, I want readers to feel hopeful after one of my books. Let’s face it, I’m not Ken Follett and I don’t write books like PILLARS OF THE EARTH. I love Follett’s books, but that’s not at all what I want to write. Romances and cozy mysteries are what a lot of people mind candy...novels intended to entertain and provide escape from worldly cares. Otherwise, why not watch the evening news?
One of my big passions is genealogy and family history. I’ve always loved history, and learning about family brings history alive for me. My brother and I are compiling a book on my father’s family and hope to have it completed and printed by the end of summer. My dad is no longer living, but he asked me to do this book, so my brother and I are trying to honor the request. I also love the old family photos and am collecting those for the book and for my own family. Both of my daughters are interested, so I’ve made copies for each of them and we’re placing them in acid free albums.
Another
passion is browsing antique malls. My younger daughter and I used to have
booths in a couple of antique malls, but the time required to maintain a good
selection is too much for us. We loved it, though. If either of us won the
lottery, that’s probably what we'd do again. In the meantime, she has recently opened a booth in a mall where her best friend has several booths. I'm feeling left out. Maybe I should buy lottery tickets.
My
husband and I like to watch movies (thanks, Netflix!). Most of my free goof-off
time is spent reading. My husband’s an avid reader, so some evenings we read
instead of watching TV or a movie.
I
appreciate so much the readers who have told me they like my books and my
writing. Positive feedback fuels my progress on the next book. I appreciate my
family for their support and assistance. My husband maintains my website. Both
daughters help in various ways. Every day I get to do what I love. Consider me
a lucky woman living her happily-ever-after!
Tuesday, May 6, 2014
WRITING A MYTHIC HISTORY
By Juli D. Revezzo, Guest Author
I’m a research nerd at
heart. After all those years I spent in school, you’d think I’d be done with it, but
I’m not. I may be crazy but I love to research. Luckily, I’m a writer so it
comes with the territory. Even though I write—mainly—fantasy-laden stories, I
always have something that needs a bit of research to get right, even if I’m
well-versed in whatever it is I happen to include in the story.
For instance, in my
paranormal romance novel Passion’s
Sacred Dance, is influenced by Celtic
Myths, specifically that of the Second Battle of Mag Thuried (that was a battle
between the mythic Tuatha de Dannan and their foes Balor and the Formoire).
I’ve studied Celtic mythology for a long time and therefore read about that
battle here and there over the years. Still, I had much research to do in the
course of writing Passion’s
Sacred Dance.
How far back, exactly, was
that battle? Where did the Tuatha de Dannan actually come from? Beyond that,
there were scenes that take place in Celtic history. What was going on at the
times when the Celts clashed with the Romans and Greeks? What did the landscape
look like? Worse yet, the battles happen every five hundred years. Where did
the first one take place, and what did the world look like?
All these nifty little
pieces of the story demanded research from me, and brushing up on what I
already knew, led me to new discoveries. (Or new discoveries for me.) Did you
know the Celts built some of the world’s first fireplaces? Did you know there
was more than one Ice Age? Did you know there was a period in time where the
human race almost completely died out?
I
didn’t, before I started writing the novel. J Where I could’ve just thrown in the towel, no, I
went diving in looking for the answers I needed. Luckily, I’m a research nerd,
so this was a learning experience as much as a novel.
How about you? Have you ever
stumbled across a bit of information that begged you to learn even more?
Here’s
an excerpt from PASSION'S SACRED DANCE:
Note: In this excerpt, my heroine is on the
trail of her ancestor’s diary. Hopefully, it will tell her about the coming
battle. She’s found Aaron, her love interest and mentor in this search, in the
local college library, doing a little reading of his own:
“Ms. Macken’s here from the Bitter Thorn Grove
Historical Museum about the Hazeltine letter.”
“Hazeltine?” Stacy shook her head. “No, no. It’s the
Macken letter, isn’t it?”
Mr. Kaplan nodded. “You mean the Hazeltine letter.
It is by Ruth Macken. As we understand it, it was turned over to the college
collection by…” he paused, thinking, “Veronica Hazeltine, if I’m not mistaken.”
“Oh.” She blinked. “I’m sorry. Ms. Grenwich didn’t
say that. If you have it, I’d like to see it.”
He stood and waved a hand to the main room.
“Take a seat anywhere you like while I retrieve it
for you.”
She did as he suggested while Mr. Kaplan turned to
the task of finding the letter. Stacy settled into a chair at a table covered
with magazines. But she soon grew bored and turned her attention to studying
the architecture.
On a floor above, she spotted a handsome man with
strawberry blond hair leaning against the shelf. He was reading something. Aaron.
She smiled and stood, hurrying up the stairs.
Aaron looked up as she hit the landing. “Well, I
think my luck’s holding out.”
She came to his side and he took her hand and gave
it a light kiss. “What are you doing here?”
Delight lit to her toes at the polite, gentlemanly
greeting, though she wished it was a little more.
“I was going to ask you the same thing.”
“Me? I’m just doing a little reading.”
She tilted her head to read the title in his hands. Eternal
Journey: A Guide to Peace and Self-Mastery from Ancient Warriors. “Light
reading?” she guessed.
“Depends on what the author has to say for himself.”
He tucked the book under his arm. “What
brings you so far from home?”
She nodded to the bookcases. “Research. You’ll never
believe what I found! Ruth wrote a letter to someone that isn’t in my
collection at the gallery.”
“A letter? One you’d never heard of?”
She nodded.
Aaron paused for a moment, eyes narrowed intently.
She wondered what thought distracted him.
“What’s it say?”
“We’ll find out.” She scrubbed a hand through her
hair. “My source says she may’ve mentioned her diary to someone in it. I’m
hoping it’ll tell where I can find it.”
Aaron pursed his lips and nodded. “That would be
quite a coup.”
Stacy peered over the railing, wondering when the
archivist would arrive. “Wouldn’t it, though?”
She felt a touch on her arm and turned. Aaron winked
at her. “On the other hand, you could’ve helped my ego by saying you were
stalking me.”
She tapped her finger against her lips as if considering
her answer. Then she shook her finger at
him, once. “That’s the true reason I’m here, you’re
right.”
****
PASSION’S SACRED DANCE Synopsis:
Battling mounting debt,
Stacy Macken is determined not to lose her historic art gallery. When Aaron
Fielding appears and offers to help, she fights to keep the attraction sizzling
between them from clouding her judgment. He may be her savior in disguise--but
can she trust him?
Aaron intrigues her with tales of the Tuatha dé Danann, sworn warriors who protect humanity from the monsters seeking their destruction. If Aaron can prove what he claims, she would give up anything to help--even the gallery he claims is sacred ground. But with her property set to stage the next epic battle, she needs answers. An old family diary will confirm the ancient legend is true, if only they can find it in time.
If the battle is lost, the enemy will take control of Earth for the next five hundred years. Stacy and Aaron's budding love might only complicate things.
Aaron intrigues her with tales of the Tuatha dé Danann, sworn warriors who protect humanity from the monsters seeking their destruction. If Aaron can prove what he claims, she would give up anything to help--even the gallery he claims is sacred ground. But with her property set to stage the next epic battle, she needs answers. An old family diary will confirm the ancient legend is true, if only they can find it in time.
If the battle is lost, the enemy will take control of Earth for the next five hundred years. Stacy and Aaron's budding love might only complicate things.
If you’d like to read
more, PASSION’S SACRED DANCE is available for Kindle and in paperback. The
Ebook is on sale for $.99 this week at Amazon:
All Romance Ebooks:
The Wild Rose Press:
Paperbacks are available
from Amazon, The Wild Rose Press, and Barnes and Noble:
Thanks
for having me, ladies!
![]() |
| Author Juli D. Revezzo |
Juli
D. Revezzo has long been in love with writing, a love built by devouring
everything from the Arthurian legends, to the works of Michael Moorcock, and
the classics and has a soft spot for classic the “Goths” of the 19th century.
Her short fiction has been published in Dark Things II: Cat Crimes, The
Scribing Ibis, Eternal Haunted Summer, Twisted Dreams Magazine and Luna Station
Quarterly. She also has an article and book review or two out there. But her
heart lies in the storytelling. She is a member of Independent Authors Network
and Magic Appreciation Tour. Passion’s Sacred Dance is her first romance
novel.
You can find out more about
her at her homepage: http://julidrevezzo.com/
Like her on Facebook: https://www.facebook.com/pages/JD-Revezzo/233193150037011
Follow her on Author’s Den http://www.authorsden.com/visit/author.asp?AuthorID=167318
On Good Reads: http://www.goodreads.com/author/show/5782712.Juli_D_Revezzo
On twitter: @julidrevezzo
Sunday, May 4, 2014
Books, Birds, and Squirrels--Springtime!
Azaleas, watermelon, water fights, and fresh lemonade.
I write a lot more in bad weather, but I’m not complaining at all. At this moment, it’s 85 degrees outside (hot for Seattle!) and flowers are blooming everywhere. The good news—birds are chirping and busily building their nests. The bad news—the woodpecker that is the size of a Cessna is back.
One of the nicest spring activities is sitting on my back deck, just me and my Kindle. I read a while, watch the birds for a while, then read some more. When I read inside, I can go for long stretches of time before I ever look up from my Kindle. On the deck, well, it’s time to slow down and sip.
Our cat enjoys spring, too. Annie has a playmate—a squirrel. Other squirrels are prey (Annie was a feral cat and even though she’s small, she’s still a Mighty Hunter), this one is her buddy. They chase each other and play hide-and-seek. I worried that she’d bother the squirrel’s babies, but Annie ignores them and seems to know those little squirrels are out of bounds.
There’s always a lot to do this time of year. We have three April birthdays to fit in besides all the yard work and spring cleaning. Ha! Who am I kidding? Our annual spring cleaning happens about every five years. It really needs to happen this year but my writing schedule makes that not very likely.
What’s up next for me? I’m currently working on a traditional western short story, the second in my Muleskinners series. The first is Judge Not and was published in Western Fictioneer’s Wolf Creek, book 6: Hell on the Prairie. This is a first-person account of Elsie Parry, a survivor of the Civil War, who finally hooks up with her father and then her brother seven years later. All she has is her mules—eight draft mules all named after Greek gods. In the second story, she, her brother Zeb, and childhood neighbor Hank, head out from Wolf Creek to Kearney, Nebraska, with a load of salt. We’ll see what happens!
Next, I’m writing another short story for the Wolf Creek series—not sure the title of the anthology but my story is a prequel to Sleight of Heart. Burke O’Shaughnessy is 19 years old and is on his own. He has a lot to learn before he ends up the thoroughbred gambler that Lexie Campbell meets.
During all this, I’m also working on the fifth book of the Hearts of Owyhee (pronounced oh-WIE-hee) series, Much Ado About Mustangs. Not sure when that’ll get done, and I just agreed to write a short story for the Prairie Rose Publications Halloween anthology about a sorcerer in the Old West. I’m really looking forward to that one! And I have another project coming up with my favorite author, Caroline Clemmons, that I’m extra excited about!
Hmm, maybe I should be writing on the back deck instead of watching birds and reading. Except watermelon juice isn’t good for keyboards.
Meantime, we’re preparing pots for each of the grandkids to plant something edible this Sunday. One has picked chives and another wants to grow beets (not sure how that’s going to work in a pot), so we’ll see what happens there. It would be nice if one of them opts for sage and/or dill. I’m hoping the boys will actually water the plants (instead of each other) after the first week.
What’s your favorite part of spring?
Friday, May 2, 2014
THE PLOT'S THE THING!
By Caroline Clemmons
Once upon a time, I attended a Story Magic workshop
given by Robin Perini and Laura Baker. And that’s the real start of my romance writing
career.
Although it’s been years now, I will never forget that day of the all-important workshop. I
sat beside Sandra Crowley in the second row. A lot of my current besties were
there: Geri Foster, Carra Copelin, Lyn Horner, Sylvia McDaniels, Kathy Shaw,
yada, yada.
Why do I remember it so clearly?
I'd written news stories, but they're strictly facts. And they're written so that they can be shortened as needed without diluting the story's impact. This doesn't translate well to fiction, even though the training is invaluable.
When I first began writing fiction, I’d know how the story started,
how it ended, and some of what happened in the middle. I’d go with that and start writing. And I’d
have to cut a scene or a chapter because it didn’t fit (which wasted all the time I'd spent writing that part) or I’d get stuck and not
know what came next. For the first book I wrote, I got to the end and learned that my story was too
short. (See Kathy Shaw’s April 10 fun post “Help I’m Stuck In The Middle.”)
One day this miraculous, serendipitous, wonderful event happened
and I attended the Story Magic workshop. You’ve heard people say a light bulb
went on when they learned this or that. For me, a searchlight-sized spotlight went
on over my head. What had been missing from my writing suddenly became clear. I
needed to plan—to actually plot out my book from start to finish, including characters,
back story, and what happened in each chapter, the good stuff, the bad stuff and why it happened.
Who
knew?
In the course of the day, Robin and Laura shared their
secrets for plotting. Some who attended that day didn’t get it or didn’t like
the concept. But I was on fire with enthusiasm.
For me, the information was like
being given the secret handshake to the Sisterhood of Successful Romance Writers.
Arming with these tools empowered me. Now I had the method and could deal with
my weaknesses and those of my characters.
Here I am eighteen titles and numerous anthologies and boxed
sets later and I’m still using the Story Magic method to plot. Stick with what makes sense, right? Anytime I’ve tried to coast, I’ve gnashed teeth, wept, and had to go back and review.
This stuff works for me. It works for numerous friends. We continue using this method to plot our books.
That’s why just an idea for a book is not enough. Writing
takes lots of work over time. For some that's weeks, for others (like me) that's months.
Sure, I love writing and can’t imagine doing
anything else. I work to improve. Sometimes I succeed, sometimes I fail. I
work just as hard in either case.
But I really, really want to please readers.
I want you to love my babies! All writers want that.
And we’ll be living and writing happily ever
after—as long as you keep reading our books.
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