Showing posts with label sensual romances. Show all posts
Showing posts with label sensual romances. Show all posts

Wednesday, May 14, 2014

ON WRITING



A couple of weeks ago, I was fortunate enough to attend a writing workshop conducted by the writing guru, Donald Maass. Most people who write know who he is. It was such a treat, sort of like sitting down with a whole box of chocolate-covered strawberries.

Besides everything else he filled my head with, toward the end of the session, he touched on the subject of "beautiful writing."   .....  Beautiful writing is something I adore. I have been known to read a story I didn't particularly like because I simply enjoyed the written words. Example: “Old Man and the Sea” by Ernest Hemingway. Most books by Nicholas Evans (not Nicholas Sparks). Except for “The Horse Whisperer,” Evans’ stories aren’t always great, but his writing is beautiful.

Reading a book is not always about liking the plot or the adventure or the action.

Writing beautifully is something I strive for with every book, though I don't always get there. While I try to write tight, as they say, and I use frank language in my books, I also try to fill my prose with creative writing techniques such as parallels and reversals and rhythms. Sometimes I imagine music in my head and try to write a scene to that rhythm.

When I write a love/sex scene, if it’s supposed to be romantic, I try to imagine the most romantic music I can think of and write the scene to that rhythm. Something like Rachmaninov’s 2nd Concerto or the music from “Romeo and Juliet.” Sometimes a parallel will fit into the rhythm. Simple example: He was tall, he was solid and strong, he was beautiful.  …..Written as they are, those phrases fit into a musical rhythm.

Sometimes I’ve written love scenes that were fun. They call for different music in my head and less dramatic presentation. They call for short sentences and cutesy dialogue. Think “Pink Panther.”

At the same time I try to write pretty prose, I also try to make my books page-turners. I have a sign on my desk I took from some writing guru: “ABOVE ALL, DON’T BE BORING” …. So I try not to be boring. And that’s a challenge when you write character-driven stories where the relationship between two people is the plot.

By now, you probably think I'm crazy, but I’m just trying to show that many elements go into the making of a coherent novel. With this little post, I’ve only scratched the surface.

Change of subject, but not entirely. Here’s a picture of the cover of my current WIP. A sequel to THE TYCOON, this is Book #2 of my Sons of Texas Trilogy.


I’m down to the last two chapters. In this book, my heroine is going along with her life, stuck in a rut. Then something totally unexpected happens that has the potential to change her life forever. It hurls her into indecision and new territory. This is a reversal. 

In this same WIP, I’m trying something I’ve never tried before with a love/sex scene. The hero is eager and expecting sex. He is also expecting the heroine to be in the same frame of mind that he is. However, she’s preoccupied with a life-changing decision. Sex is the last thing on her mind, but she doesn’t want to put him off. I’ve tried to *show* her attitude in their lovemaking. Only at the end of it does he figure out something is bothering her.   .....   Now that was a challenge and I still don’t know if I’ve pulled it off.

Need I say that I’ve worked for weeks on that one scene. And now, I’m at the black moment, on which I’ve also worked for weeks.

Never let anyone tell you that writing a book is easy.

God willing, I'll be able to release this book in June.

Thursday, July 25, 2013

Is it the Story or the Sizzle?

--by Vonnie Davis

I love asking readers questions. Yeah, you could say I'm a nosy old broad. But how can I write stories for you, that you'll love, if I don't know your tastes? Our choices in romance reading are wide, from sweet to multiple partners and BDSM. The sexual bounds are nearly non-existent--and I often wonder how readers feel about this. Are these sexual boundaries being stretched by the author's rolling pin at the risk of making their plotlines too thin? Are readers after the sizzle or the storyline?
 
 

Back in the sixties when I started reading romance. We knew in the end there would be a hug, a kiss and a marriage proposal--hot stuff. But, oh the journey our heroine and hero took to reach that magical kiss. We waited and waited as they very slowly grew closer, turning pages, devouring chapters, agonizing over every problem that pulled them apart again, fearful they'd never experience their well-earned happily-ever-after.

Slowly sex entered our beloved genre. Euphemisms for body parts were used, and we were rarely privy to the actual sex scene. They occurred behind the closed bedroom door or had one measly sentence to tell the reader oh yeah, they did the wild thang.

Over the years, those bedroom doors squeaked open...farther...and farther. Now, we're lucky if they make it to the bedroom. Gee, I sound like a prude, don't I? I'm not. Truly. I write romances from sweet to downright spicy. The "heat level" depends on the characters. To be sure, the amount and placement of sex depends on my storyline, on how quickly--if ever--my characters grow close enough where shared intimacies suits their relationship. For my stories are character driven. If I don't follow my heroine and hero's desires, they wake me up at night and complain.

Recently, I've had a dream fulfilled. I sold a book to Random House. After eight titles with small presses, I've secured a tiny spot with the Big Six. While the editor "adored it", she told me she wants more sex scenes and she wants it earlier in the book. I'd made my characters wait until four chapters prior to the ending before they made love. "Sex sells," the editor said. Well, yes, I thought, but I was trying to build a loving relationship between Paisley and Creighton first before I led them to the bedroom. Was that wrong? Should I have sacrificed storyline for sizzle? Am I being old fashioned in thinking love--or a strong respectful attraction--needs to come before the sex?

What say you?

Meanwhile, one of my historical "sweet" romances is available on Amazon--A MAN FOR ANNALEE. I tried to write a more sensual story, but my heroine planted her hands on her hips and said she was having none of it. And no one pushes Annalee around.



BLURB:

When men fight over the feisty new arrival in town, the battle for her hand begins...

Annalee Gallagher loses her parents, home, and business in the Great Fire of Chicago. When she travels to Cicero Creek in the Wyoming Territory to start a new life, more heartache awaits her, and so do the attentions of several men--for good and for evil. Why was her stagecoach attacked, and was the shot that zinged over her head one night a wild bullet or a bad aim?

Boone Hartwell, the marshal of Cicero Creek, suspects someone is out to kill the new spitfire in town. She amuses him and touches a lonely part of his soul, but keeping her safe is a fulltime occupation. More importantly, can a white man raised as Cheyenne rise above her other suitors to win her heart? One thing is for certain in his determined mind: He's the man for Annalee.
 
So what do you enjoy most about your romances? The storyline or the sizzle? Or both?