A couple of weeks ago, I was fortunate enough to attend a writing workshop
conducted by the writing guru, Donald Maass. Most people who write know who he is. It was such a treat, sort of like
sitting down with a whole box of chocolate-covered strawberries.
Besides everything else he filled my head with, toward the end of the
session, he touched on the subject of "beautiful writing." ..... Beautiful
writing is something I adore. I have been known to read a story I didn't
particularly like because I simply enjoyed the written words. Example: “Old Man
and the Sea” by Ernest Hemingway. Most books by Nicholas Evans (not Nicholas
Sparks). Except for “The Horse Whisperer,” Evans’ stories aren’t always great,
but his writing is beautiful.
Reading a book is not always about liking the plot or the adventure or the
action.
Writing beautifully is something I strive for with every book, though I don't always get there. While I try
to write tight, as they say, and I use frank language in my books, I also try
to fill my prose with creative writing techniques such as parallels and
reversals and rhythms. Sometimes I imagine music in my head and try to write a
scene to that rhythm.
When I write a love/sex scene, if it’s supposed to be romantic, I try to
imagine the most romantic music I can think of and write the scene to that
rhythm. Something like Rachmaninov’s 2
nd Concerto or the music from “Romeo
and Juliet.” Sometimes a parallel will fit into the rhythm. Simple example: He
was tall, he was solid and strong, he was beautiful.
…..Written as they are, those phrases fit into
a musical rhythm.
Sometimes I’ve written love scenes that were fun. They call for different
music in my head and less dramatic presentation. They call for short sentences
and cutesy dialogue. Think “Pink Panther.”
At the same time I try to write pretty prose, I also try to make my books
page-turners. I have a sign on my desk I took from some writing guru: “ABOVE
ALL, DON’T BE BORING” …. So I try not to be boring. And that’s a challenge when
you write character-driven stories where the relationship between two people is
the plot.
By now, you probably think I'm crazy, but I’m just trying to show that many
elements go into the making of a coherent novel. With this little post, I’ve
only scratched the surface.
Change of subject, but not entirely. Here’s a picture of the cover of my current WIP. A sequel to
THE TYCOON, this is Book #2 of my Sons of Texas Trilogy.
I’m down to the last two
chapters. In this book, my heroine is going along with her life, stuck in a rut. Then something
totally unexpected happens that has the potential to change her life forever.
It hurls her into indecision and new territory. This is a reversal.
In this same WIP, I’m trying something I’ve never tried before with a
love/sex scene. The hero is eager and expecting sex. He is also expecting the heroine
to be in the same frame of mind that he is. However, she’s preoccupied with a
life-changing decision. Sex is the last thing on her mind, but she doesn’t want
to put him off. I’ve tried to *show* her attitude in their lovemaking. Only at the end
of it does he figure out something is bothering her. ..... Now that
was a challenge and I still don’t know if I’ve pulled it off.
Need I say that I’ve worked for weeks on that one scene. And now, I’m at the
black moment, on which I’ve also worked for weeks.
Never let anyone tell you that writing a book is easy.
God willing, I'll be able to release this book in June.